About

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Genres
Blues, Rock, Singer-Songwriter
Website
joanosborne.com
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About

Singer Joan Osborne was born on July 8, 1962, in the town of Anchorage, KY, but it wasn’t until relocating to New York City in the early ‘90s (to study at NYU’s film school) that she began to take a singing career seriously after singing Billie Holiday’s classic “God Bless the Child” at a local bar’s open-mike night. In addition to Holiday, Osborne looked to such legendary vocalists as Etta James and Ray Charles as role models, as the up-and-coming singer decided not to cater to major record companies and formed her own label, Womanly Hips, which resulted in such releases as 1992’s in-concert Soul Show, among others. But eventually Osborne decided to sign on with a major label, Mercury, which in turn issued the singer’s next release, Relish, in March 1995. The album proved to have a long life, as almost a year after its initial release the track “One of Us” became a massive MTV and radio smash, camping out at the number one spot on the U.S. singles chart for two weeks, and Relish eventually racked up sales of three million copies. Further tracks (“Right Hand Man” and “St. Teresa”) failed to match the success of Osborne’s first hit, but the singer still managed to connect with a large and appreciative audience, especially during touring as part of the 1997 edition of Sarah McLachlan’s Lilith Fair tour. Osborne also received numerous Grammy nominations in both 1996 and 1997.

Producing a worthy follow-up to Relish proved to be a time-consuming challenge for Osborne. Mercury tried to buy some time by issuing a compilation release, Early Recordings (which collected the early releases Live at Delta ‘88 and Blue Million Miles). In the meantime, Osborne focused on supporting a few groups/causes she felt strongly about, such as Rock the Vote and Planned Parenthood (eventually being named an honorary member of Planned Parenthood’s board of advocates), in addition to covering “I’m Just a Bill” as a duet with Isaac Hayes on the 1998 Schoolhouse Rocks the Vote! benefit album. She also studied briefly with late Qawwali master Nusrat Fateh Ali Khan and performed alongside such notables as Stevie Wonder, Melissa Etheridge, Taj Mahal, Luciano Pavarotti, Spearhead, Bob Dylan, and the Chieftains. September 2000 finally saw the release of Osborne’s next all-new studio album, titled Righteous Love, which failed to match its predecessor’s commercial success and sank from sight shortly after release. She bounced back in 2002 with How Sweet It Is, a collection of covers that leaned heavily on classic soul and R&B tunes from the 1960s and ’70s. A career retrospective, One of Us, followed in 2005. Vanguard picked her up shortly after this, and Osborne released her first full-length on that label, a country-tinged effort called Pretty Little Stranger, in 2006. It was followed in 2007 by Breakfast in Bed and in 2008 by Little Wild One. After a break of three years, Osborne re-entered a recording studio with her road band and co-producer Jack Petruzzelli. They emerged with a raw, wooly collection of classic blues and R&B covers entitled Bring It On Home; it was released in the spring of 2012 and earned a Grammy nomination for Best Blues Album.

2014 saw the release of another album of original songs, “Love and Hate”, which takes a clear-eyed look at the many facets of mature romantic relationships, and the eponymous full length debut of Trigger Hippy, Osborne’s side project with Jackie Greene and Steve Gorman of the Black Crowes. 2017’s “Songs of Bob Dylan” found Osborne using her impressive gifts as vocalist and arranger to re-imagine familiar classics and hidden gems from the master’s catalog, co-produced with Jack Petruzzelli and Keith Cotton.

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Joan Osborne

New Album

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Splash

New Album

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I have really needed my music over the past several months, not only to express what I’m feeling about the state of the world, but to help revive me when I feel discouraged, and to keep me connected to the joy of being alive despite the craziness all around. Some of the songs feel influenced by my recent deep dive into the work of Bob Dylan, some of them seem to have mined my subconscious to a vein of 1970s a.m. radio and Southern rock. Personnel on the untitled new album of all original ...
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